Carlo crashes her ex’s wedding with three simple goals: Don’t get drunk. Don’t make any kids cry. Don’t try to win back the bride, no matter how boring the groom is. (She’ll ultimately fail at all three.) A very, very funny play about loneliness, estrangement, and a slow-burn romance with being alive.
Carlo crashes her ex’s wedding with three simple goals: Don’t get drunk. Don’t make any kids cry. Don’t try to win back the bride, no matter how boring the groom is. (She’ll ultimately fail at all three.) A very, very funny play about loneliness, estrangement, and a slow-burn romance with being alive.
Carlo crashes her ex’s wedding with three simple goals: Don’t get drunk. Don’t make any kids cry. Don’t try to win back the bride, no matter how boring the groom is. (She’ll ultimately fail at all three.) A very, very funny play about loneliness, estrangement, and a slow-burn romance with being alive.
Carlo crashes her ex’s wedding with three simple goals: Don’t get drunk. Don’t make any kids cry. Don’t try to win back the bride, no matter how boring the groom is. (She’ll ultimately fail at all three.) A very, very funny play about loneliness, estrangement, and a slow-burn romance with being alive.
Carlo crashes her ex’s wedding with three simple goals: Don’t get drunk. Don’t make any kids cry. Don’t try to win back the bride, no matter how boring the groom is. (She’ll ultimately fail at all three.) A very, very funny play about loneliness, estrangement, and a slow-burn romance with being alive.
Carlo crashes her ex’s wedding with three simple goals: Don’t get drunk. Don’t make any kids cry. Don’t try to win back the bride, no matter how boring the groom is. (She’ll ultimately fail at all three.) A very, very funny play about loneliness, estrangement, and a slow-burn romance with being alive.
Carlo crashes her ex’s wedding with three simple goals: Don’t get drunk. Don’t make any kids cry. Don’t try to win back the bride, no matter how boring the groom is. (She’ll ultimately fail at all three.) A very, very funny play about loneliness, estrangement, and a slow-burn romance with being alive.
Carlo crashes her ex’s wedding with three simple goals: Don’t get drunk. Don’t make any kids cry. Don’t try to win back the bride, no matter how boring the groom is. (She’ll ultimately fail at all three.) A very, very funny play about loneliness, estrangement, and a slow-burn romance with being alive.
Carlo crashes her ex’s wedding with three simple goals: Don’t get drunk. Don’t make any kids cry. Don’t try to win back the bride, no matter how boring the groom is. (She’ll ultimately fail at all three.) A very, very funny play about loneliness, estrangement, and a slow-burn romance with being alive.
Carlo crashes her ex’s wedding with three simple goals: Don’t get drunk. Don’t make any kids cry. Don’t try to win back the bride, no matter how boring the groom is. (She’ll ultimately fail at all three.) A very, very funny play about loneliness, estrangement, and a slow-burn romance with being alive.
Carlo crashes her ex’s wedding with three simple goals: Don’t get drunk. Don’t make any kids cry. Don’t try to win back the bride, no matter how boring the groom is. (She’ll ultimately fail at all three.) A very, very funny play about loneliness, estrangement, and a slow-burn romance with being alive.
Carlo crashes her ex’s wedding with three simple goals: Don’t get drunk. Don’t make any kids cry. Don’t try to win back the bride, no matter how boring the groom is. (She’ll ultimately fail at all three.) A very, very funny play about loneliness, estrangement, and a slow-burn romance with being alive.
Carlo crashes her ex’s wedding with three simple goals: Don’t get drunk. Don’t make any kids cry. Don’t try to win back the bride, no matter how boring the groom is. (She’ll ultimately fail at all three.) A very, very funny play about loneliness, estrangement, and a slow-burn romance with being alive.
Carlo crashes her ex’s wedding with three simple goals: Don’t get drunk. Don’t make any kids cry. Don’t try to win back the bride, no matter how boring the groom is. (She’ll ultimately fail at all three.) A very, very funny play about loneliness, estrangement, and a slow-burn romance with being alive.
Carlo crashes her ex’s wedding with three simple goals: Don’t get drunk. Don’t make any kids cry. Don’t try to win back the bride, no matter how boring the groom is. (She’ll ultimately fail at all three.) A very, very funny play about loneliness, estrangement, and a slow-burn romance with being alive.
Carlo crashes her ex’s wedding with three simple goals: Don’t get drunk. Don’t make any kids cry. Don’t try to win back the bride, no matter how boring the groom is. (She’ll ultimately fail at all three.) A very, very funny play about loneliness, estrangement, and a slow-burn romance with being alive.
Carlo crashes her ex’s wedding with three simple goals: Don’t get drunk. Don’t make any kids cry. Don’t try to win back the bride, no matter how boring the groom is. (She’ll ultimately fail at all three.) A very, very funny play about loneliness, estrangement, and a slow-burn romance with being alive.
Carlo crashes her ex’s wedding with three simple goals: Don’t get drunk. Don’t make any kids cry. Don’t try to win back the bride, no matter how boring the groom is. (She’ll ultimately fail at all three.) A very, very funny play about loneliness, estrangement, and a slow-burn romance with being alive.
Carlo crashes her ex’s wedding with three simple goals: Don’t get drunk. Don’t make any kids cry. Don’t try to win back the bride, no matter how boring the groom is. (She’ll ultimately fail at all three.) A very, very funny play about loneliness, estrangement, and a slow-burn romance with being alive.
Carlo crashes her ex’s wedding with three simple goals: Don’t get drunk. Don’t make any kids cry. Don’t try to win back the bride, no matter how boring the groom is. (She’ll ultimately fail at all three.) A very, very funny play about loneliness, estrangement, and a slow-burn romance with being alive.
Carlo crashes her ex’s wedding with three simple goals: Don’t get drunk. Don’t make any kids cry. Don’t try to win back the bride, no matter how boring the groom is. (She’ll ultimately fail at all three.) A very, very funny play about loneliness, estrangement, and a slow-burn romance with being alive.
Carlo crashes her ex’s wedding with three simple goals: Don’t get drunk. Don’t make any kids cry. Don’t try to win back the bride, no matter how boring the groom is. (She’ll ultimately fail at all three.) A very, very funny play about loneliness, estrangement, and a slow-burn romance with being alive.
Two pregnant sisters—one visual artist, one con artist—converge on a remote family cabin in Vermont. Jess races to finish her long-awaited solo show; Rory sees a new audience for her latest scam. When Rory hatches a plan for an art project of her own, the problems between the sisters flare into a collision of family baggage, personal morality, and artistic taste. A response to True West, Sam Shepard’s surreal psychodrama about brothers with problems, Problems Between Sisters is a funny and savage take on domestication, creativity, and the elusive demands of the Primal Female.
This world premiere is a part of Julia May Jonas’s five-play ALTAS cycle (“All Long True American Stories”), in which she reimagines canonical 20th-century American male-experience plays as they’d be experienced by other people, mostly women.
Two pregnant sisters—one visual artist, one con artist—converge on a remote family cabin in Vermont. Jess races to finish her long-awaited solo show; Rory sees a new audience for her latest scam. When Rory hatches a plan for an art project of her own, the problems between the sisters flare into a collision of family baggage, personal morality, and artistic taste. A response to True West, Sam Shepard’s surreal psychodrama about brothers with problems, Problems Between Sisters is a funny and savage take on domestication, creativity, and the elusive demands of the Primal Female.
This world premiere is a part of Julia May Jonas’s five-play ALTAS cycle (“All Long True American Stories”), in which she reimagines canonical 20th-century American male-experience plays as they’d be experienced by other people, mostly women.
Two pregnant sisters—one visual artist, one con artist—converge on a remote family cabin in Vermont. Jess races to finish her long-awaited solo show; Rory sees a new audience for her latest scam. When Rory hatches a plan for an art project of her own, the problems between the sisters flare into a collision of family baggage, personal morality, and artistic taste. A response to True West, Sam Shepard’s surreal psychodrama about brothers with problems, Problems Between Sisters is a funny and savage take on domestication, creativity, and the elusive demands of the Primal Female.
This world premiere is a part of Julia May Jonas’s five-play ALTAS cycle (“All Long True American Stories”), in which she reimagines canonical 20th-century American male-experience plays as they’d be experienced by other people, mostly women.
Two pregnant sisters—one visual artist, one con artist—converge on a remote family cabin in Vermont. Jess races to finish her long-awaited solo show; Rory sees a new audience for her latest scam. When Rory hatches a plan for an art project of her own, the problems between the sisters flare into a collision of family baggage, personal morality, and artistic taste. A response to True West, Sam Shepard’s surreal psychodrama about brothers with problems, Problems Between Sisters is a funny and savage take on domestication, creativity, and the elusive demands of the Primal Female.
This world premiere is a part of Julia May Jonas’s five-play ALTAS cycle (“All Long True American Stories”), in which she reimagines canonical 20th-century American male-experience plays as they’d be experienced by other people, mostly women.
Curious about American art? Join us for a 30-minute virtual conversation about selected works from the Smithsonian American Art Museum’s collection. This program is presented in American Sign Language (ASL) with voice interpretation for hearing participants.